In the Intense Now

Directed by João Moreira Salles

127 minutes / Color/B&W
Portuguese / English subtitles
Release: 2017
Copyright: 2017

Made following the discovery of amateur footage shot in China in 1966 during the first and most radical stage of the Cultural Revolution, IN THE INTENSE NOW speaks to the fleeting nature of moments of great intensity. Scenes of China are set alongside archival images of the events of 1968 in France, Czechoslovakia, and, to a lesser extent, Brazil. In keeping with the tradition of the film-essay, they serve to investigate how the people who took part in those events continued onward after passions had cooled. The footage, all of it archival, not only reveals the state of mind of those filmed—joy, enchantment, fear, disappointment, dismay—but also sheds light on the relationship between a document and its political context. What can one say of Paris, Prague, Rio de Janeiro, or Beijing by looking at the images of the period? Why did each of these cities produce a specific sort of record?

Narrated in first person, the film reflects on that which is revealed by four sets of images: footage of the French students' uprising in May of 1968; the images captured by amateurs during the invasion of Czechoslovakia in August of the same year, when forces led by the Soviet Union put an end to the Prague Spring; shots of the funerals of students, workers, and police officers killed during the events of 1968 in the cities of Paris, Lyon, Prague, and Rio de Janeiro; and the scenes that a tourist—the director's mother—filmed in China in 1966, the year of the Great Proletarian Cultural Revolution.

"A rich, immersive contemplation of the emotional battery life of revolutions... Examines 1968's turbulence in four countries through the prism of what its amateur documentarians filmed." Robert Abele, Los Angeles Times

"Melancholy, inspiring and evocative." —J. Hoberman, The New York Review of Books

"Find solace, enlightenment and surprise in João Moreira Salles’s IN THE INTENSE NOW, a bittersweet, ruminative documentary essay." A. O. Scott, The New York Times

"Deeply personal; a document of an incendiary time when hope, along with the stench of tear gas and gunfire, was in the air." Peter Rainer, Christian Science Monitor

Other Ways to Watch

Individuals

Home use DVD for $29.98

Available online from:

Colleges, Universities, Government Agencies, Hospitals, and Corporations

Purchase DVD for $398.00

Credits

A film by João Moreira Salles

Select Accolades

  • Library Award and Best Soundtrack Award, 2017 Cinéma du Réel Film Festival
  • Best Documentary, 2017 Civil Society of Multimedia Authors 
  • Panorama Selection, 2017 Berlinale Film Festival
  • U.S. Premiere, 2017 Chicago International Film Festival
  • Viennale 2017
  • Doclisboa 2017
  • Santiago Internataional Film Festival of Chile 2017
  • Montreal International Documentary Film Festival 2017

RELATED TITLES

An intricately edited documentary composed of film clips from the major works of the Brazilian "Cinema Novo" movement and period interviews with its leading filmmakers.

Eryk Rocha | 2017 | 90 minutes | Color | Portuguese; French | English subtitles

Chris Marker's epic film-essay on the worldwide political wars of the 60's and 70's: Vietnam, Che, May '68, Prague, Chile, and the fate of the New Left.

Chris Marker | 2001 | 178 minutes | Color | English | English subtitles

This tapestry of still photographs, subject-skipping montage and rapid shuttle of wit and philosophy is pure Chris Marker.

Yannick Bellon & Chris Marker | 2003 | 42 minutes | Color | English

Chronicle of the 1967 Mobilization to End the War in Vietnam protest march on the Pentagon, by documentary essayist Chris Marker. Also on this disc is a second film, THE EMBASSY.

Chris Marker and François Reichenbach | 2007 | 26 minutes | Color | English